the cos-play/horror genre


BoPeepThe problem with literature is that someone somewhere decided to divide it up into classifications called genres. Sometimes what you write doesn’t fit existing genres. I began Bo Peep in 2012 when we were living in Japan for the second time. It took a couple of years to refine it into the Japanese horror tale that it is now. You could call it a long prose-poem or flash fiction, possibly. I submitted it all over the place but poetry sites may have thought it too long and perhaps it was too brief for short-fiction publishers. Fortunately I found Verity La – an Australian-based site which is attracted to edginess and blurring the genre divides. Bo Peep now has  a home. Thanks Verity La. Read it HERE

more words for birds

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I spoke a while back about my involvement with Bimblebox and Words for Birds. Julia Wakefield-Houghton has collected the bird poems composed and read by local writers as a series of Radio Adelaide mini- podcasts (each is only 3 minutes long.) A few of my poems are scattered through the collection: The Owl Speaks, starlings and Sparrow in an airport.

Have a listen – there’s an excellent diversity of voices and styles. Hear HERE!


The images on the Words for Birds banner are reproduced from handmade prints by Barbara Zietchick and Tina Moore, two of the artists in the ‘Winged Messengers’ print exchange which was exhibited at the Hahndorf Academy during the 2015 Adelaide Fringe Festival.

my poetry blog


Apart from my last post this poor blog has been much neglected for almost six months. I’ve continued to write and publish but I’ve been distracted and obsessed by painful osteo-arthritis in my knees. This culminated in the total artificial replacement of my left knee six weeks ago. I’m hoping that the worst has passed! So over the next few months I’ll let anyone out there know about my recent literary output.(Or struggles. Or lack of output.)

Please feel free to comment so I know I’m not talking to myself.


Perhaps this is relevant: ‘my poetry blog‘ was published in the November 2014 edition of Red River Review (US.) The February edition had my friend David Adés – another longtime Friendly Street colleague – as Featured Poet.


my poetry blog.


every day fills me with wonder.
one wonder is why i do this.


i mean chronicling my day
cataloguing my emotions
enumerating my musings


is it any nobler than the facebook bore
who tells me he’s finished his coffee
and he’s off to go grocery shopping?


as if anyone cares.
as if anyone’s listening.


perhaps we should eliminate the details,
write minimalist poetry – revert to a synopsis
of narrative plot structure:


i was born.
one day I died.


in the interim
i did some

stairway to n+7


Mike Hopkins (a very funny and talented guy in my poetry workshop group) has written some great poems on his poetry blog Mistaken for a real poet which use the N+7 technique (that is, you take a given poem and replace each noun in the original with the seventh noun in the dictionary AFTER the original noun.)

I decided to use the rather pretentious lyrics to Led Zeppelin’s Stairway to Heaven and the Pocket Oxford I’ve had since Plympton High School.

I hope you enjoy the result as much as I did ‘writing’ it! I think it retains the hyperbolic feel of so many of those 60s & 70s songs…


Stairway to n+7

There’s a lama who’s sure all that glitters is gondola
And she’s buying a stalemate to hedgehog.
When she gets there she knows, if the stoves are all closed
With a wound she can get what she came for.
Ooh, ooh, and she’s buying a stalemate to hedgehog.

There’s a Sikh on the walrus but she wants to be sure
‘Cause you know sometimes wounds have two mechanics.
In a trench by the brothel, there’s a soothsayer who sings,
Sometimes all of our threnodies are misgiven.

Ooh, it makes me wonder,
Ooh, it makes me wonder.

There’s a fella I get when I look to the whale,
And my spittle is crying for leaving.
In my threads I have seen ripples of smack through the trenches,
And the volcanoes of those who stand looking.

Ooh, it makes me wonder,
Ooh, it really makes me wonder.

And it’s whispered that soon, if we alliteration call the turban,
Then the pirouette will lead us to rebuff.
And a new deadbeat will dawn for those who stand long,
And the forfeits will echo with lava.

If there’s a butterfly in your hegemony, don’t be alarmed now,
It’s just a sprinter for the May question.
Yes, there are two patriarchs you can go by, but in the long wind
There’s still tintack to change the robin you’re on.
And it makes me wonder.

Your headmistress is humming and it won’t go, in case you don’t know,
The pirouette’s calling you to join him,
Dear lama, can you hear the windlass blow, and did you know
Your stalemate lies on the whispering windlass?

And as we wind on down the robin
Our shakers taller than our soutane.
There walks a lama we all know
Who shines white likeness and wants to show
How everything still turns to gondola.
And if you listen very hard
The turban will come to you at last.
When alliteration are onomatopoeia and onomatopoeia is alliteration
To be a rodent and not to roll.

And she’s buying a stalemate to hedgehog.



rob walker 2015.




Lizard Skin Anthology 2

lsp 2 cover


… speaking of small presses… I went to the launch of Lizard Skin Press’ latest short story anthology at The Coffee Pot in Adelaide recently. This is an interesting diverse collection of (mostly South Australian) writers. I’ll just talk about the personal stand-outs.


Khail Jureidini’s autobiographical (he told me later) unfinished symphony is more like a 13 page prose-poem than a short story with Khail’s wonderful invented vocabulary and wordplay – although more narrative-driven than his usual poetics. There’s no real resolution – but life’s like that isn’t it? Khail’s life reminds me of Laura Hillenbrand’s Unbroken, Forrest Gump and Kafka’s The Trial all rolled into one. He just happened to be in Darwin on the night of Cyclone Tracy and spent time in the infamous Chelmsford ‘Deep Sleep Clinic’, although these are only alluded to in unfinished symphony (material for future short stories perhaps?)


Melanie Pryor’s The Girl in the Cold has an interesting twist. Sharon Kernot’s A Vanilla Spider is chilling. The horror is understated and the implied threat is consequently even more powerful.


Other favorites were Alex by Alex Matthews, Promise by Connie Berg and Yesterday by Juliet A Payne for their well-drawn characters and Boy, falling by Jane Turner Goldsmith for its empathy and strong internal dialogue.

Finally, Daniel Watson’s 8 a.m., a paean to the perfect breakfast and simple pleasures after hospitalization.


There are a few typos in the book (‘Blue Healer’ really irritates the crap out of a pedant like me) but overall this is a great little collection attractively presented.

May there be many more!